The work delves deeply into the notion of the public domain as a political 'forum'. It grapples with the implications of biennials and similar events within the realm of contemporary art, considering them as a matrix from which practices emerge that challenge the very fabric of modern democracies.
Through interventionist strategies, the work disrupts prevailing spatial and economic models, revealing the intricate intersections between civilization and barbarism. These interventions serve as a means to uncover the necessary dialectics between seemingly opposing forces, highlighting the role of art as a potent agent capable of both constructing and deconstructing what is commonly understood as public.
In essence, my work seeks to provoke critical discourse surrounding the function and purpose of public spaces within our societies. It endeavors to shed light on the complex dynamics at play, ultimately encouraging viewers to contemplate the broader implications of their interactions within these spaces.

Installation view: Palace Of The Youth plateu, Prishtina Kosovo

Arrows of Outrageous Fortune, 2022
Public space Intervention, Prishtina, July 2021
Dimensions variable, Courtesy of the Artist ©
Images: Atdhe Mullav